Oct. 11th, 1943—A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun.
When “Verity” is arrested by the Gestapo, she's sure she doesn’t stand a chance. As a secret agent captured in enemy territory, she’s living a spy’s worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution.
As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage and failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy?
Harrowing and beautifully written, Elizabeth Wein creates a visceral read of danger, resolve, and survival that shows just how far true friends will go to save each other. Code Name Verity is an outstanding novel that will stick with you long after the last page.
Funny story: So Code Name Verity was released when I was still a newbie blogger, and I didn't know how to manage e-galleys. I read the first few pages, but wasn't entirely "feeling" the novel, so I thought I'd wait a little before returning to it. The galley expired. I had no idea what to do.
I'm glad that I didn't read the print. Code Name Verity starts off a little slowly and sometimes gets into the technical details of piloting planes, so I may have gotten bored while reading this via text only and I may have missed out on a great book because of that. To anyone who abandoned Code Name Verity for the same reason, you might want to try the audio. What makes the audio so great are the two narrators. They are perfectly voiced. When I read novels, I don't necessarily have a picture of what the characters sound like in my head -- sometimes I do, but I haven't found the right words to describe the characters. This is how I would imagine Maddie and Verity. The narrators do an amazing job portraying their emotions: Verity's desperation and exhaustion, and Maddie's amusement and cheerfulness; every little emotion, and not just those. Songs are included twice in the narrative, and both times I got shivers. They are not only amazing at voice these characters' emotions but also amazing at singing and eliciting a reaction in you.
Reading this audiobook, I understand why the book got such praise. The characterization is fantastic - even the villains, particularly the Nazi interrogator, get developed; the SS agent is believable and realistic without being any less scary or determined in his cause. The plot has plenty of twists. I liked the second half of the novel more because it gave me a code to understand the first half (and again, to anyone who got bored, maybe you can power through to the second half?). You also might not expect a WWII novel to have as much humor as CNV did (mostly because of the awesomeness that is the Maddie/Verity friendship). This is going down as one of my favorites of 2014, and I recommend all y'all try it, especially if, like me, you downloaded the audiobook via audiobooksync.
From her first moment at Merryweather High, Melinda Sordino knows she's an outcast. She busted an end-of-summer party by calling the cops, a major infraction in high-school society, so her old friends won't talk to her, and people she doesn't know glare at her. She retreats into her head, where the lies and hypocrisies of high school stand in stark relief to her own silence, making her all the more mute. But it's not so comfortable in her head, either; there's something banging around in there that she doesn't want to think about. Try as she might to avoid it, it won't go away, until there is a painful confrontation. Once that happens, she can't be silent, she must speak the truth.
In this powerful audiobook, an utterly believable, bitterly ironic heroine speaks for many a disenfranchised teenager while learning that, although it's hard to speak up for yourself, keeping your mouth shut is worse.
What I liked the most about this audiobook is that the narrator never lets you forget how old Melinda is. I don't know if the narrator was doing a special voice or not, but listening to this, I was always reminded of Melinda, the ninth grader, trying to let her growing tree breathe after a terrible event had destroyed her (and it). It was impossible not to feel her pain and wonder why no one saw it too. Her silence was impressive, her narrative funny and bittersweet. Her confrontation wasn't exactly what I expected, but when I imagined what it would be like -- halfway into the book, 3/4 of the way in, etc. -- I shivered and had to pause the narration. I got goosebumps when Siegfried voiced the actual confrontation. If you've ever wanted to read a Laurie Halse Anderson novel but haven't had the time, try listening to the audio of this. Also highly recommended. This is a beautiful work of art, both voiced and written, and I can't wait to try more of Anderson's work.
In his New York Times bestselling novel, David Levithan introduces readers to what Entertainment Weekly calls a "wise, wildly unique" love story about A, a teen who wakes up every morning in a different body, living a different life.
Every day a different body. Every day a different life. Every day in love with the same girl.
There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere.
It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone he wants to be with—day in, day out, day after day.
With his new novel, David Levithan, bestselling co-author of Will Grayson, Will Grayson, and Nick and Norah's Infinite Playlist, has pushed himself to new creative heights. He has written a captivating story that will fascinate readers as they begin to comprehend the complexities of life and love in A’s world, as A and Rhiannon seek to discover if you can truly love someone who is destined to change every day.
I was a little less impressed with this audiobook if only because A is meant to be genderless, so I got stuck sometimes with Alex McKenna, who, when imitating boys, did a good job parodying the douchebags but wasn't necessarily good at conveying who I thought A was. Again, very subjective and also almost impossible for any narrator to succeed with that task. This book is quiet and very philosophical; if you were a fan of The Fault in Our Stars, you may very well like this novel given that both have that speculate-on-the-universe vibe and a central romantic plot. McKenna does do a good job conveying A's brief amusement, heartbreak, and philosophical tone, but there was something missing for me in her narrative. The writing was beautiful and many times I wished I could mark a quote somehow in the audiobook (someone should invent an audiobook reading app that allows you to bookmark certain sections, or at the very least update Overdrive so that it has that function, or one of y'all can let me know if that function already exists lol). I would recommend this one in print over audio for that reason alone.
"You have to kill him." Imprisoned in the heart of a secret military base, Em has nothing except the voice of the boy in the cell next door and the list of instructions she finds taped inside the drain.
Only Em can complete the final instruction. She's tried everything to prevent the creation of a time machine that will tear the world apart. She holds the proof: a list she has never seen before, written in her own hand. Each failed attempt in the past has led her to the same terrible present—imprisoned and tortured by a sadistic man called "the doctor" while war rages outside.
Marina has loved her best friend, James, since they were children. A gorgeous, introverted science prodigy from one of America's most famous families, James finally seems to be seeing Marina in a new way, too. But on one disastrous night, James's life crumbles apart, and with it, Marina's hopes for their future. Marina will protect James, no matter what. Even if it means opening her eyes to a truth so terrible that she may not survive it. At least not as the girl she once was. Em and Marina are in a race against time that only one of them can win.
All Our Yesterdays is a wrenching, brilliantly plotted story of fierce love, unthinkable sacrifice, and the infinite implications of our every choice.
Meredith Mitchell did an amazing job showing me how different All Our Yesterdays is in comparison to other science fiction novels. Where they can sometimes get boring with their dry writing styles, All Our Yesterdays is far from boring, infused with emotion thanks to both Terrill's writing and Mitchell's narration. Mitchell did a fantastic job portraying the Em/Marina divide and making the scenes come alive in my mind. I don't know that I would've enjoyed this book as much if I hadn't read it in audio, with Mitchell somehow activating my imagination in a way that few print novels do (I'm very rarely a visual reader, but here I was most certainly able to picture the action). If you're looking for a fast paced thriller, with a lot of action, somewhat of an explanation for time traveling and an interesting way of looking at character development, try out the All Our Yesterdays audio.
- Between Shades of Grey by Ruta Septys and read by: Emily Klein.
- I read Out of the Easy and loved Septys's writing, how well she had created a 1950s NOLA world and atmosphere, so reading her "masterpiece," or at the very least her famous, famous debut is an interesting experience.
- Linger (Wolves of Mercy Falls #2) by Maggie Stiefvater; read by: Dan Bittner, Pierce Cravens, Emma Galvin, and Jenna Lamia
- Sisters Red (Fairytale Retellings #1) by Jackson Pearce; read by: Erin Moon, Michal Friedman, and Suzanne Toren
- Feed by Mira Grant; read by: Paula Christensen & Jesse Bernstein
- The Night Circus by Erin Morgenstern and read by: Jim Dale
- Cruel Beauty by Rosamund Hodge and read by: Elizabeth Knowelden* (last of all of these books in priority, since I love the print book/have already read it).
- The Vanishing Season - Jodi Lynn Anderson
- Complicit - Stephanie Kuehn
- On the Fence - Kasie West
- Fan Art - Sarah Tregay
Looking forward to reviews of any of the above? Will you try any of these audios?